Olney Gallery preview

MeanRooster_CindySchnackel

Mean Rooster, 24 x 30 in, acrylic palette knife painting

MusicBirdCardinal_CSchnackel

One of four more cartoony paintings over vintage sheet music, on panels, sizes range from about 8 x 11 to 18 x 12 in.

PianoBird_schnackel

24 x 18 in., acrylic over vintage sheet music. On panel.

SignsOfLife_CSchnackel

Signs of Life (in the Giant Bird Forest), Acrylic on panel, 60 x 30 in.

SwearJar_CSchnackel

Swear Jar, acrylic on canvas, palette knife painting, 36 x 48 in.

A few of the pieces I’ll be showing in Sept at Olney Gallery in Phoenix. All of these shown are new, as are a number of the others. I’ll also be taking a few I did earlier, though not all of those had been shown. There will be a few small pieces down to about 5×7’s and 6×6’s, as well as the medium and large works. Olney is a very large gallery space, enough wall space that this 2 person show means it’s still the same amount of work as a solo show! I am taking around 35 pieces and it probably won’t all fit,but I wanted to be sure I had a good variety of sizes/prices for the gallery to choose from when placing things.

AbstractAbsurd_schnackel

Two shows in Sept!

AbstractAbsurd_schnackel

This huge gallery means Carlos and I will both have a lot of work on the walls!

ABSTRACT TO ABSURD, (2-person show)

Click to see Olney Gallery info!

Carlos Rausch started painting later in life and has been a musician for decades. He does interesting abstracts that I have so far only seen a few images of but they look really cool. I met Carlos a few months ago when the gallery met with all this season’s artists.

I’ll have quite a bit of new work at Olney. One is a 60 x 30 inch painting of birds in a forest, one of the largest and most detailed pieces I’ve done. Most of my large works are palette knife paintings, but “Signs of Life (in the Giant Bird Forest)” is not; it’s quite detailed brush work. I will have some palette knife pieces, too and some smaller ones as well.

FataFarm9gallery_schnackel

“Baby,” the piece that started it all, for this series, is the show ad poster chicken.

FATAL FARM

Later in Sept I’ll have a solo show at 9 The Gallery of all animal art, at least partially a look into what made me decide to give up animal products a few years ago. The feature piece of that show may end up being “Chicken Pajama Party,” (title not in stone yet, still thinking). Though it has little to do with veganism it does place chickens in a human scenario and hopefully it’ll make people rethink that chicken dinner.

Thank you to some very generous people for inspiration for Fatal Farm! Tamara Kenneally Photography for allowing me to refer to her beautiful photos of animals and for inspiring me to finally ‘go vegan’, and the people at the company, Fatal Farm, who are allowing me to use the phrase to title this show!

Sneak Peeks at Sept shows’ work

Studio2016Aug18_CSchnackel_giblet

A sculpted giblet of some kind, drying before being put on a larger more detailed sculpture.

The gross little meat characters are parts of a larger sculpture for Fatal Farm, a show about my view of animals, that is slated to open Sept. 16, 2016, at {9} The Gallery in Phoenix.

Studio2016Aug18_CSchnackel_hotdog

Looks like torture, but it’s a sculpted tiny hot dog which will be part of a larger sculpture.

All the giblets shown and this hot dot are made of an air dry clay called Paperclay. Sometimes I use paper mache powder, strips of cloth soaked in acrylic medium, and of course armatures if necessary, (like empty containers etc). There seems to be two products called “paperclay” or “paper clay.” The one pictured is the only one of the two I have used. I buy it at craft or art stores. It’s entirely air dry and supposedly non toxic. You can mix things into it like paint, acrylic medium, inclusions, etc. It feels a lot like ceramic clay with no grit, to work it.

Studio2016Aug_CSchnackel_paperclay

Paperclay, a product I always like to have on hand! The feet of a sculpture are drying here, waiting for more work. The base of the sculpture is vintage booklets and cookbooks about things like ‘sweetbreads’ and lard. Yum.

Studio2016Aug18_CSchnackel_justwrongWIP

Another giblet, being shaped so it can ride the big creature I made earlier this year. This sculpture has a lot of detail going on on the base, little sicko meat sculptures, mostly.

The section of a larger painting below hasn’t got a for-sure title yet but I’ve been calling it Chicken Pajama Party in my head, so far. This is a small detail area. The whole painting is 48 x 36 wide, and there’s a lot going on in it. For reference I drew heavily on my own memories as a teenager in the 60’s-70’s. Never really did a lot of slumber parties as a girl, but apparently those I did left a lasting impression. Now, chickens are reenacting it all. I pixelated the book so you can’t see yet what they’re looking at. If you babysat or went to slumber parties as a teen, and the parents weren’t home, you can probably guess at least the genre of the book if not the title. Chicken Slumber Party, or whatever I decide to call it by September, will be in the Fatal Farm show, too.

Studio2016Aug18_CSchnackel_pjPartydetailwip

Can you guess what book these chickens are absorbed in?

The detail shot below is from a piece for Olney Gallery, in Phoenix, which opens September 2.

One of the largest paintings I’ve done in a long time is 60 x 30 inches on a panel my husband built for me. We figured out pretty much the largest panel that would fit in the car and that’s what he made. Here’s a detail shot from it. Even with satin varnish I’m having a hard time getting non glare shots. Getting a decent shot of the whole thing is proving even more challenging. If I was still doing reprints I might spring for a professional scan like I have done with some big paintings in the past.

Studio2016Aug18_CSchnackel_wheelbugdetail

Wheelbug detail of large forest painting.

The wheelbug holds special fascination for me. We lived in Oklahoma for a few years, and that first year I discovered many critters I wasn’t familiar with either from Arizona or other states we’ve lived in. One day in my garden I discovered this steampunk looking insect that was about 2 inches long. It had a distinctive half-wheel appendage on it’s back with what looked like teeth of a gear. It didn’t take long to find it online just using that description! (Arilus cristatus): https://en.wikipedia.org/wiki/Wheel_bug

They’re related to assassin bugs, and they can deliver a painful sting. Before I knew they had venom, I gently played with it. I was lucky. After I read that they ate other bugs I presented it with one of the fat caterpillars that was eating our garden. Gross! But fascinating! Anyway, I’ve sketched them as a mindless doodle almost like I do chickens, ever since. It was time one showed up in a painting. There are mostly birds in the rest of this painting. This piece is also untitled so far. At first the title was Signs of Life. But the birds are kind of giants so I was thinking of working the word Giant in the title somehow.

Thank you to the folks at FatalFarm.com who generously allowed me to title my animal art show at 9 Gallery with the same phrase!

What to call it? [UPDATED! Solved!]

Bobby1_schnackel

The link to Tamara’s site is: http://www.tamarakenneallyphotography.com/

[Update! The company, Fatal Farm, gave me permission to use the phrase for my show! So nice of them, thank you Fatal Farm! http://www.fatalfarm.com/  ]

My show about animals has no title! I found there are other entities using the term I was mulling, and though it probably wouldn’t create any confusion with those entities and it doesn’t appear to have been registered as anyone’s trademark (yet), I don’t want to use the phrase anymore. If you have any suggestions let me know in the comments! Think pets and farm animals, vegan, factory farming, how we view animals, how they view us…these are themes in the show; now I just need a great title for it ASAP.

The painting below on the table is for it, one of the gentler ones, just fun. The one on the easel is for a different show that doesn’t need a title!

studio2016AUG2_schnackel

Two big paintings with a lot of detail, getting closer and closer to done!

IMG_5999

Storm to the North.

Progress shot today, and pretty, dramatic sky. The light suddenly faded and I wondered if it was later than I thought. No, it was a small but intense rain storm headed our way. It got almost dark as night! Some parts of the valley did get over 2 inches of rain in a very short time. It’s still not where we are, not sure we’ll get as much out of it except darkness.

Just today, a friend on Facebook shared this article, about ‘copying,’ and it’s a good read. The infringement problem has just exploded in recent years and is bleeding some artists dry. http://elihalpin.com/blogs/eli-halpin-blog/do-not-copy-art-without-permission