Enlarging the behind, work in progress, 2016
Decided one of the sculptures in progress needed a bigger butt. I enlarged it with an air dry clay called Paperclay, not to be confused with a kiln fired clay of the same name. This can be hard to find at art supply stores but I reliably find it at Michael’s. Last time I got it, it was the last one in stock! Whew!
The pin holes in the add on buttocks are to let more air in so it dries faster and more evenly. I put it in the sun to really bake it dry! After it dried, I smeared small scraps of thin chiffon fabric with acrylic medium, and pressed that down over it for some added strength. Other fabrics work, too, but chiffon seems very strong and flattens so well it’s barely detectable.
When that was dry, I put a thin coat of Golden’s heavy modeling paste over it, and made fur texture with a home made texture tool. I save plastic cards etc, like used bus passes, and cut a pattern into them to make a texture. You can paint or glaze over the dried texture to get various looks. If you can’t wipe off your paint/glaze before it dries, you may be able to carefully work that area back again with a rag and some rubbing alcohol, or fine wet-dry sanding film and minimal water. I usually have a damp rag in one hand and work fast, but the more aggressive methods will work if an area dries too fast for the rag alone.
Eye detail, sculpture 2016, Cindy Schnackel
Here’s a close up of the eye of one sculpture. I bought realistic eye balls from a maker who makes them specifically for use in arts and crafts, etc. A lot of the processes I researched involved baking various clays in the oven, or other toxins, something I didn’t trust to be safe in a house with pet birds. I may explore some other ways to make my own eyes, but in the meantime, these are fabulous, and I sculpt the lids, etc around them after attaching firmly to the substructure. I debated whether this sculpture would even have eyes, since I kind of liked the way it looked without! But, in the end, I’m glad I put eyes in it now. Perhaps a different piece will be eyeless.
By the time these are shown in the fall, I may have changed things, but here’s where they stand now.